Interview with George Seremba’, Canadian Journal of Irish Studies, 31.1 (2005): 117-121.Ĭharlotte McIvor and Matthew Spangler, eds. ‘Canadian, Irish and Ugandan Theatre Links: An Jason King and Piaras MacÉinri, Where is Home? An Educational Resources on Refugees in International/Irish Perspective. ‘Interculturalism and Irish Theatre: The Portrayal of Immigrants on the Irish Stage’, Irish Review, no. Prague: Litteraria Pragensia, 2005, 45-57. ‘Black Saint Patrick: Irish Interculturalism in Theoretical Perspective and Theatre Practice’, in Global Ireland, Eds. Newcastle: Cambridge Scholars Press, 2007, 38-51. ‘Black Saint Patrick Revisited: Calypso’s ‘Tower of Babel’ and Culture Ireland as Global Networks, in Performing Global Networks, Eds. ‘Beyond Ryanga: The Image of Africa in Contemporary Irish Theatre,’ in Echoes Down the Corridor- Irish Theatre: Past, Present and Future, eds. James Byrne, Padraig Kirwin, and Michael O’Sullivan. ‘ Irish Multicultural Fiction: Metaphors of Miscegenation and Interracial Romance’, in Affecting Irishness: Negotiating Cultural Identity Within and Beyond the Nation, eds. Syracuse: Syracuse University Press, 2014, 172-186. ‘ Ulysses, the Citizenship Referendum, and the Bloomsday Centenary,’ 172-186. New York: Routledge, 2014 (See Chapter 6). Kinship and Performance in the Black and Green Atlantic: Haptic Allegories. Manchester: Manchester University Press, 2014. Literary Visions of Multicultural Ireland: The Immigrant in Contemporary Irish Literature. Houndsmill, Basingstoke, Hampshire: Palgrave Macmillan, 2009, 153-165. ‘Jus Soli/Jus Sanguinis: The Biopolitics of Irishness,’ in Crossroads: Performance Studies and Irish Culture. ‘Stand-up comedy in a multicultural setting: Between a raw nerve and a funny bone’ in For the Sake of Sanity: Doing things with humour in Irish performance, ed. ‘An Irish Joke, a Nigerian Laughter’, in The Power of Laughter: Comedy and Contemporary Irish Theatre, ed. Newcastle: Cambridge Scholars Press, 2007, 52-66. ‘ Arambe Productions: An African’s response to the recent portrayal of the fear gorm in Irish drama’, in Performing Global Networks, Eds. Dublin: Arts Council and Office of the Minister for Integration, 2010. Cultural Diversity and the Arts: Language and Meanings. Accessed 20 January 2015.ĭaniel Jewesbury, Jagtar Singh, and Sarah Tuck. Dublin: Create-the National Development Agency for Collaborative Arts and Arts Council, 2009. Cultural Diversity and the Arts: Final Report. Dublin: Creative Activity for Everyone, 2002.ĭaniel Jewesbury, Jagtar Singh, and Sarah Tuck. Artists of Distinction: Mapping Survey of Ethnic Minority Artists in Ireland. Cultural Diversity and the Arts: Policy and Strategy. Patrick’s Festival (City Fusion) įriars’ Gate Side by Side Integration Programme įrom the Inside Out, Tallaght Community Arts Īrts Council. (Companies listed have been formed on the basis of migrant/intercultural themes or their output has engaged significantly with these themes since the mid-1990s) ** While not an Arambe production, this piece was presented by a group of artists led by Bisi Adigun, many of whom would continue to work with Arambe after its formation. From the Inside Out, Tallaght Community Arts. Abbey Theatre and Justice for the Undocumented. The Gombeens (Miquel Barreto and Jonathan Gunning). The Playboy of the Western World: A New Version. I Have Before Me A Remarkable Document Given To Me By A Young Lady From Rwanda.
Benbo Productions (Formerly Donal O’Kelly Productions). (Includes playwright, title, producing company and year of premiere/production)ĭonal O’Kelly.